This is the third edition of a review comparing three superb Canon short telephoto lenses used for portrait and action photography. I initially reviewed the performance of the Canon EF 100mm f/2 relative to the Canon EF 85 f/1.8 and EF 135 f/2L lenses in 2001 because I was photographing sports and dance under available light where I have to shoot from a fixed location at f/2. There are times when the 85 is too wide and the 135 is too narrow to fill the frame with the subject. I was interested in comparing sharpness (resolution) of the lenses at f/2 and background blur in out-of-focus areas (bokeh). I subsequently have reviewed the lenses comparing their performance in portrait applications. The latest update provides performance information from newer digital cameras as of September, 2007.
All three of these lenses are well-constructed and light weight. They are all ultra-fast focusing and produce high contrast images. They differ in resolution, 50% MTF (microcontrast), and background blurring (bokeh) produced as outlined below.
Digital camera resolution and 50% MTF was measured using this methology.
Canon EOS 400D (Digital Rebel) XTi
The EF 135mm f/2L lens has the best resolution at f/2. |
50% MTF microcontrast is lower with the EF 100mm lens at f/2 than with the other lenses. |
Canon EOS-Ds Mark II
Link to Film Tests from 1st and 2nd Editions of Review
Blurring of background in out-of-focus areas increases with focal length. The EF 135 f/2 L produces the combination of sharp in focus images with best out of focus blurring at f/2 and f/2.8. Even at f/4, better background blurring is evident in images taken with the 135 f/2 L.
Users of the 85mm, 100mm, 135mm lenses occasionally argue that these lenses offer differing perspective by inducing telephotographic compression of facial features. The face and nose are reported to appear flatter in images produced with longer focal length telephoto lenses. While it is possible to perceive telecompressive effects with the 135mm lens compared to the shorter lenses, the effect is very subtle and difficult to detect. The difference in perspective offered by the 85mm versus the 100mm lens is negligible and rarely detectable. Effects are generally overshadowed by posture, angle to the camera and lighting. Larger effects in appearance of background are provided by the changes in width of the angle of view.Click here to see 36 arranged images taken from similar angles with the 3 lenses. See if you can detect the differences in image appearance among the different focal lengths.
You should draw your own conclusions based on your photographic objectives and the need for image sharpness, background blur in out of focus areas (bokeh), and working distance. All three lenses offer blazingly fast autofocus function and outstanding contrast.
Canon EF 85mm f/1.8
This relatively
inexpensive lens produces outstanding sharpness and contrast. This lens
produces pleasing bokeh, although background is not as nicely blurred as
with longer length telephoto lenses. If you have to shoot at f/2, it
offers excellent performance at a relatively low cost and fast autofocus.See
review of this lens compared with the Canon EF 85mm f/1.2L
Canon EF 100mm f/2
This is an
excellent lens with overall good lens sharpness, contrast, and fast
autofocus function. It allows a little longer working distance than the EF
85 f/1.8 that may be ideal for some in portrait or performance
photography. Image sharpness at f/2 was noticeably less than that
delivered by the other two lenses. I have evaluated 4 lenses after
considering that the first EF 100 f/2 I tested might be defective. All 4
lens gave similar results.
Image sharpness at f/2 is not of paramount
importance to many portrait photographers, so the slightly less sharp
performance at f/2 may not be critical to many who might prefer the
slightly better bokeh and longer working distance. The lens gives
excellent image quality when stopped down to f/2.8.
Canon EF 135 mm f/2 L
This lens
costs more than 2.5 times as much as the EF 85 f/1.8. It offers excellent
sharpness and contrast in the f/2 to f/4 range and produces wonderfully
diffuse, out-of-focus backgrounds. It is great for portrait and
performance photography. It is a wonderful tool for candid portraits at
events.
© 2001- 2007, William L. Castleman
First edition, 2001; Second edition, 2005, Third edition, 09 September 2007